I was delighted to receive an invitation to submit from Bill Harbaugh, the curator of The Museum of Scientifically Accurate Fabric Brain Art, after my recent post. The two-inch badge, titled Brain Slice is embroidery and applique on one of the commercially-stitched patches I often use. It’s the only brain embroidery that I consider finished at this time, so I sent them the image, along with the following statement:

I’m fascinated by the new and old and how they intersect. I try to keep informed on the latest scientific findings and look for ways in my artwork to combine them with references to historical art and events. Most recently, I have become interested in Magnetic Resonance Imaging (MRI) and other imaging technologies, which have allowed us access to a new visual terrain, one that appears to be highly tactile. It is the urge to explore these with thread and needle, in texture, color, line and shape, that led me to try my hand at stitching the circuitry of the brain.

My previous work, miniature, hand-embroidered patches about female rites of passage, have been published in Harpers, Ms. and other publications. The female merit badges identified biological and behavioral aspects of being female, to question, celebrate and amuse. I’ve also created emblems that pair medieval imagery with computers and technology. Recent “pressure point patches” illustrate mind-body conditions such as chronic pain and menopausal symptoms.

I had forgotten to give credit to Craft:, which is where I discovered the beautiful crocheted brain Karen Norberg’s Crocheted Brain

and other brain art in the first place.

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